备注:HD中字
主演:JosephKaiser,AmyCarson,RenéPape,LyubovPetrova
导演:肯尼思·布拉纳
语言:英语
年代:1991
简介:年轻高贵的王子塔米诺Tamino(约瑟夫·凯撒饰)和他心爱的女孩儿帕米娜Pamina(埃米·卡尔森饰)要战胜帕米娜凶恶善忌的母亲——夜后(里尤波夫·比特罗娃饰),才能最终走到一起。夜后让塔米诺和帕米娜永远处于黑暗之中,他们要一起争取光明,所以他们必须得得到光明使者萨拉斯特罗Sarastro(雷内·帕普饰)的帮助……当光明使者萨拉斯特罗走进城堡去救被囚的帕米娜时,夜后偷袭了他。王子塔米诺迷失了方向,并受伤昏迷了,昏迷期间被三个白衣人所救。当他醒来时,这三个白衣人变成了护士,她们三人合唱。歌声将王子送到了帕米娜身边,帕米娜陪伴着他,并将魔笛送给他,希望它能帮助王子……夜后出现了,她骑在坦克上,将她的肺脏弄出来,缠在坦克上,嘴和喉咙都扭曲了。唱出的花腔女高音,仿佛狼人在月亮上筑墙。一支乐队演奏小提琴来配合夜后的歌唱。当帕帕吉诺Papageno(本·戴维斯饰)敲起他的魔钟时,光明使者萨拉斯特罗在三个性感而庄严的莫扎特音乐剧参与者和手执夹子的护卫队的保护下出场。正邪之战开始了……
备注:HD中字
类型:
主演:伊娃·达尔贝克,英格丽·图林,毕比·安德松,芭布洛·约尔特·阿夫·奥纳斯,厄兰·约瑟夫森,马克斯·冯·叙多夫,古纳尔·舍贝格,安-玛丽·于伦斯佩茨,因加·朗格里,克里斯蒂娜·阿道夫森,Bengt Blomgren,Monica Ekberg,Maud Elfsiö,英加·吉尔,Gun Jönsson,Sissi Kaiser,玛格丽塔·克罗克,拉尔斯·林德,Gunnar Nielsen
导演:英格玛·伯格曼
语言:其它
年代:1958
简介: 伯格曼早期作品,讲三个孕妇在产房中的一天,剖析了她们的内心世界。影片拍得很写实,有点纪录片的味道。本片获得戛纳影展最佳导演奖,四位女主角也共同分享了戛纳影展的最佳女主角奖。
备注:HD
主演:杰西卡·巴登,帕梅拉·阿德龙,奥斯丁·阿梅里奥,贝琦·安·贝克,格斯·哈尔珀,特雷弗·伊万斯,奇珀·琼斯,Grace Kaiser
导演:Nicole Riegel
语言:英语
年代:2020
简介:A gritty and tender coming of age story about a young woman in Southern Ohio who joins a scrap metal crew to earn money for college, but soon finds herself torn between a promising future and the family she would leave behind.
备注:HD中字
类型:
主演:Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl
导演:Hanns Walter Kornblum
语言:其它
年代:1925
简介: Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.